Her novel analysis of Benjamin's arguments about theater and language features a discussion of the Trauerspiel book that is amongst the first in English to scrutinize the baroque plays themselves. Walter Benjamin Benjamin, Walter German, 1892—1940 is one of the central essayists of the GermanJewish intellectual tradition. Many scholars have shown, for example, that modern hygiene has functioned in nationalist thought as a method of excluding foreign others as diseased. Broad in scope, this book is ideal for social scientists and humanists who are interested in contemporary debates about place studies, mobility, and the located realities of globalization. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon. At the point of intersection between eclectic philosophy and cultural criticism, Benjamin creates in the almost two thousand pages of the Passagenwerk a materialist philosophy of history consisting of thousands of quotations, reflections, and essays on 19th-century Paris. Attempted to escape Nazi regime by emigrating to the United States via Spain, but committed suicide when in danger of being betrayed to the Gestapo.
Bourdaghs demonstrates that the construction of national imagination requires a complex interweaving of varied—and sometimes contradictory—figures for imagining the national community. Critical and anti-systematic thinking for Benjamin was the central and almost metaphysical pillar from which he set out as essayist, and to which he returned at the end of most essays. Cite this chapter as: Feldhay R. It also reveals how Toson's works influenced the production of a fluid, shifting form of national imagination that has characterized twentieth-century Japan. Associated with the Institute for Social Research, Frankfurt-on-Main, 1934—37, and wrote for its journal Zeitschrift für Sozialforschung Journal for social research. Born 15 July 1891 in Berlin. Throughout, examples are given from urban and environmental touristed landscapes, from major world cities to tropical islands, and chapter contributions include: an analysis of the representational character of landscape and the built environment historic constructions of place seduction the importance of class, racial, and gender dimensions of place how mobility and the seduction of place orient identity formation the environmental impacts of tourism economies.
This book assesses travel and tourism as simultaneously cultural and economic processes, through ideas about place seduction and the formation of landscapes. Selected Writings Essays and Related Prose Einbahnstrasse, 1928; as One-Way Street, in One-Way Street, and Other Writings, translated by Edmund Jephcott and Kingsley Shorter, 1979 Illuminationen: Ausgewählte Schriften, edited by Siegfried Unseld, 1961; as Illuminations, edited by Hannah Arendt, translated by Harry Zohn, 1968 Goethes Wahlverwandtschaften, 1964 Zur Kritik der Gewalt und andere Aufsätze, 1965 Versuche über Brecht, edited by Rolf Tiedemann, 1966; as Understanding Brecht, translated by Anna Bostock, 1973 Angelus novus, 1966 Über Literatur, 1969 Charles Baudelaire: Ein Lyriker im Zeitalter des Hochkapitalismus, edited by Rolf Tiedemann, 1969; as Charles Baudelaire: A Poet in the Era of High Capitalism, translated by Harry Zohn, 1973 Berliner Chronik, edited by Gershom Scholem, 1970 Drei Hörmodelle, 1971 Der Stratege im Literaturkampf: Zu Literaturwiss, edited by Hella Tiedemann-Bartels, 1974 Aussichten: Illustrierte Aufsätze, 1977 Reflections: Essays, Aphorisms, Autobiographical Writings, edited by Peter Demetz, translated by Edmund Jephcott, 1978 One-Way Street, and Other Writings, translated by Edmund Jephcott and Kingsley Shorter, 1979 Moskauer Tagebuch, edited by Gary Smith, 1980; as Moscow Diary, edited by Gary Smith, translated by Richard Sieburth, 1985 Benjamin über Kafka: Texte, Briefzeugnisse, Aufzeichnungen, edited by Hermann Schweppenhäuser, 1981 Passagenwerk, vol. His articles of 1913 in the youth journal Der Anfang The beginning consistently address issues of repression as well as the multifaceted hypocrisies of bourgeois life. Analyzing Toson's major works, Michael K. Questions that touch upon ethics and politics can greatly benefit from being rephrased in terms borrowed from the arsenal of religious and theological figures, because the association of such figures with a certain violence keeps moralism, whether in the form of fideism or humanism, at bay. Married Sophie Pollak, 1917 divorced, 1930 : one son.
His oeuvre consists of hundreds of essays on literature, culture, history, and philosophy as well as book reviews and records of his travels throughout Europe. The E-mail message field is required. Nägele's book clearly owes its inspiration to Benjamin's study of Baroque drama. Insofar as Modernism restages the question ofrepresentation through a poetics ofcaesural rupture, it intersects with the critical impulse of philosophical discourse as defined by Walter Benjamin in the Prologue to the Ursprungdes deutschen Trauerspiels. The theory of performance and the practice of theater as it can be done, taught, and conceptualized in academia bring together these three different paths, in a volume that can be equally useful to theater practitioners, to teachers of dramatic texts, and to students, scholars, and teachers of theater seen both as literature and as practice. Accordingly, his most convincing essays—two of which were previously published elsewhere—articulate correspondences between German Modernism and the implicit critique of modernity in Benjamin's work. Born and raised in Berlin in a bourgeois household representing both stability and confinement, Benjamin grew into a critic of literature, Western philosophy, and contemporary European culture.
Also translated works by Charles Baudelaire and others. Obviously, the need to cope with such gap gave birth to new or modified cultural forms, among them new forms of representation and allegory. Individual chapters take up such issues as modern medicine and the discourses of national health; ideologies of the family and its representation in modern literary works; the gendering of the canon of national literature; and the multiple forms of space and time that narratives of national history require. International Archives of the History of Ideas Archives internationales d'histoire des idées, vol 208. In perhaps the volume's most striking contribution, German scholar Carl Dahlouse offers his most important statement on the dramaturgy of opera. Beyond psychology : Freud, Benjamin, and the articulation of modernity -- 4.
In doing so, Galileo added a dimension to the practices of signification common in the political, theological and theatrical arenas of Baroque culture. The allegorical caesura : actuality and history of allegory -- 5. Curiously, Hansen himself on one occasion p. The Marquis de Sade watches the scene -- 3. Studied at the Universities of Freiburg, 1912, Berlin, 1913, Munich, 1915—17, Berne, Ph. From street life and slumming to vaudeville and early cinema, to Yiddish theatre and blackface comedy, Romeyn discloses racial comedy, passing, and masquerade as gestures of cultural translation.
Galileo, I shall argue, invented his own strategies for dealing with the gap opened up by the telescope between appearances and being — between what seemed to be the case and what actually was out there. Died suicide by morphine overdose in Port Bou, 26 September 1940. This study explores the multiple images of illness appearing in Toson's fiction to demonstrate that hygiene employs more than one model of pathology, and it reveals how this multiplicity functioned to produce the combinations of exclusion and assimilation required to sustain a sense of national community. From aesthetics to poetics : Benjamin, Brecht, and the poetics of the caesura -- 8. His friends at the Institute for Social Research in Frankfurt-on-Main, including Max Horkheimer and Theodor W.
As the essays of One-Way Street already suggest, objects or marginalia of daily life rather than Platonic ideas would from then on provide the discursive ground from which the most pressing, yet also the most decentering and fragmentary, experiences of Modernism were to be evaluated and rewritten. I also think his book would have been improved not merely in political correctness but in scope and in pertinence by including Margaret Fuller, whose Woman in the Nineteenth Century is open to this sort of approach, as has been demonstrated by Jeffrey Steele in his Representation of tL· Self in the American Renaissance. Others have argued that nationalism is inherently ambivalent and self-contradictory; Bourdaghs shows more concretely both how this is so and why it is necessary and provides, in the process, a new way of thinking about national imagination. The collection of this period, Einbahnstrasse 1928; One-Way Street , pays homage to the surrealist avant-garde tradition of representation which would be crucial to his later and most central, yet also most controversial project, Das Passagenwerk The Arcades project. Rather than focusing on the overtly melancholic subject matter of Benjamin's work or the unhappy circumstances of his own fate, Ferber considers the concept's implications for his philosophy.